Although it falls short of the best Pixar has brought to the screen over its long association with Disney, it’s nevertheless worth a trip to the theater, especially for kids.
-James Berardinelli, ReelViews
Very, very late in these 106 minutes, we get a startling blast of meaningful Pixar storytelling that reminds us of what this team can do when they bring their A game.
-Jeffery Overstreet, Looking Closer
What’s interesting is that their streak of below average work all comes after the Disney acquisition. Could an upstanding company like Disney be so bold to put financial gain ahead of artistic integrity? With yet another sequel to a franchise with unlimited merchandising potential a la Cars, does Pixar get back on track with their unique brand of emotionally driven story telling? Or do we see more evidence of their recent films being influenced by the money grubbing paws at Disney?
A monster road trip?
Technically, Monsters University looks absolutely fantastic. Despite the decline of their recent scripts, Pixar always put out a gorgeous looking movie and this is no exception. There are dozens of intricate and complex monster character designs on screen at the same time, it’s hard to imagine the hours it took to animate this. Down to the finest detail (you can see every last strand of hair on the furry characters), it is an incredible achievement and needs to be seen.
Monster College – obviously a rite of passage for all young monsters
There’s plenty to like in Snyder’s hectic, rowdy film. But by the time we reach the bludgeoning excesses of the last half-hour it’s hard to shake the sense that this was an opportunity at least partially missed.
-Christopher Orr, The Atlantic
DC still has much to learn from rival Marvel in the filmmaking realm, but Man of Steel at least offers hope. Hope, and a slight headache
-Tyler Hanley, Palo Alto Weekly
Unfortunately, this film is a bit of a mess. Most of the individual scenes are fine by themselves, but there is an extremely jarring pacing between them. The film opens with an overlong sequence on Krypton explaining how baby Superman found his way to Earth. Not only is it a very confusing and abrupt way to begin, the events of what happened don’t entirely get explained until much later on.
The film cuts to various flashback sequences that break up the main storyline in somewhat awkward ways. All these flashbacks are excellent and really help flesh out Superman’s character, but when it comes to the the main plotlines that are driving the movie forward, they are real momentum killers.
General Zod is getting angry.
Speaking of the fight sequences, they are almost insane to the point of being incomprehensible. The complete utter destruction and mayhem these characters cause is fun to watch, but quickly becomes mind numbing after the third or fourth time a ripple effect from a sonic boom destroys a skyscraper.
Nope, no religious imagery here